Transitions
What happens between two scenes.
MorphThe two pictures bend towards each other: the lights and darks of the second pull the first, which seems to become it.
Liquid dissolveThe picture runs and opens into pools through which the next scene arrives, and sets in its turn.
ProMetamorphosisThe scene's subject gathers into a drop of your colour, which takes off and comes down where the next subject stands: it bursts, the subject comes out of it, and the new setting opens around it.
RippleA drop falls on the picture's subject: a wave spreads from it, bends everything on its way and leaves the next scene behind it, still a little stirred.
ReshapeThe scene's card (a notification, a button, a panel) becomes the next scene's: its content is swept away, it takes the next one's colour from the heart outwards, darts to its place while changing size and corners, overshoots by a touch and settles, as the new content arrives in it. Around it, one ground gives way to the other without a jolt.
StretchThe picture opens in two where its subject stands and stretches: only lines of its colours are left. They take the colours of the next scene, which closes on its own subject.
KaleidoscopeA rosette opens in the middle of the picture, as if between six mirrors turned on its subject, and takes it over; its colours turn into those of the next scene, which opens in its middle in turn.
WhirlpoolThe picture winds around its subject like water round a drain, tighter and tighter. The whirlpool slides to the subject of the next scene, which unwinds the same way.
Heat mapThe next scene first appears as a thermal camera would see it: a patch of heat in big blocks forms on the picture, in the place of what it shows, purple at its edge, yellow and white at its heart. The blocks get finer, the patch takes the shape of what the scene shows, and within a few frames the false colours give way to the true ones.
ProDustThe picture crumbles into fine grains along an advancing front: the grains float up and fade, a few of them in your colour, and the next scene appears right behind. The front starts from the left or from the picture's subject.
ProDots into mosaicDots light up in place on a fixed grid: where the next scene has something to show, first in two tones of your colours, then in its own; they swell into squares that touch, grow finer twice, and the next scene comes up sharp.
ProThe card becomes a switchThe scene's subject becomes a switch: it shrinks and rounds into one while the rest melts into its ground; the switch turns on in your colour, and the next scene opens out of its knob.
RecompositionThe picture comes apart in tiles that slide along the grid one square each, round into a disc half-way and land square again, turned into the next scene.